Max Liebermann and International Modernism: An Artist's Career from Empire to Third Reich, coedited by Marion Deshmukh, contributes to the recent wave of scholarly literature that works to recover artist Max Libermann's role and oeuvre in the narratives of modern art after the Nazi's attempt to obliterate his work. Deshmukh is the Robert T. Hawkes Professor of History at Mason. Her publications include works and exhibition catalog essays on Max Liebermann, German academies and art unions, Berlin’s National Gallery of Art since 1945 and on East German painters since 1990.
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