All courses for the Art History M.A. are taught as seminars, the most common course format for graduate study in the Humanities. Seminars limit enrollment to eighteen students, thereby facilitating extensive group discussion of the topic at hand. Each week students read extensively (various articles or the equivalent of one book per week). In class, students, with the guidance of the professor, debate the merits and arguments presented in the readings, covering methodology, presentation of evidence, and the author’s perspective or biases. Individual students also lead the discussion. Writing assignments may complement the readings throughout the semester. These courses do not follow the typical lecture format, where students are presented with historical and visual information and are expected to demonstrate a mastery of this information via tests or exams; instead students usually write a substantial research paper that engages closely with the literature and major arguments in the field. The course usually culminates with oral presentations of research findings in a format that emulates a professional talk at an Art History conference. The seminar format allows for a deep engagement with art historical arguments, trains students in research methods and reveals through close analysis the structural and theoretical questions that shape the field. The goal is to teach students the writing and critical thinking skills necessary for scholarship in the field.
The Ancient World--The Topography and Monuments of Ancient Rome
Pompeii: Rediscovery and Recreation
Constantinople/Istanbul
Mediterranean Cities and Trade
Creating Value: Making and Consuming Art in Early Modern Europe
Gender and American Artists 1880-1940
Gender & Material Culture Study
U.S. Mural Painting from 1890 to 1940
Roman Sculpture: Imperial Monuments and Portraiture
Visualizing the Pax Augusta: Art in the Age of the Emperor Augustus
Topography and Monuments of Ancient Rome
Art of the Christian/Muslim Frontier
Medieval Literature as Primary Source
The Norse
Art of Pre-Modern South Asia
Monuments and Memory in Asian Art
Sexuality, Gender and Art in Early Modern Europe
Creating Value: Making and Consuming Art in Early Modern Europe
Originals, Imitations, Fakes: Rethinking Authorship in Early Modern Art
Home, Tavern, Bordello: Dutch Genre Painting
The Age of Rembrandt and Vermeer: Dutch Visual Culture of the Seventeenth Century
Monuments and Memorializing in U.S. Art from 1870 to the Present
Transatlantic Encounters in Twentieth-Century European and Latin American Art
Beyond Objects