04:30 PM to 07:10 PM R
Krug Hall 7
Section Information for Spring 2018
Sculpture was a significant and ubiquitous element of Roman visual culture, manifesting in both lavish public and private displays. This seminar will begin by exploring the connections between Greek sculptural style and Roman adaptation, as well as delving into some of the technical aspects of quarrying and sculpting. We will then focus our attention on the ideological and political function of sculpture in the public sphere, primarily in the Imperial period spanning 31 BCE to 300 CE. In the Imperial period, portraits of the principes (emperors) and the imperial family were significant conveyors of meaning that communicated both to the Roman people and modern scholars much of the “propagandistic” intent of the emperor and his programs. We will also analyze major sculptural monuments associated with these emperors, such as the Ara Pacis, the Arch of Titus, and the Column of Trajan, which taken in conjunction with imperial portraiture elucidate the programmatic nature of Roman public sculpture. Course requirements will include weekly writing assignments, at least two oral presentations, and an extended scholarly research paper. Research topics will include both public and private/decorative sculpture as potential subjects. Attendance and participation will also impact the final grade. Required texts are Diana Kleiner’s Roman Sculpture and Eve d’Ambra’s Roman Art in Context. These texts will be supplemented by JSTOR articles and pdf readings on Blackboard or Reserve material.
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Enrollment limited to students with a class of Advanced to Candidacy, Graduate, Non-Degree or Senior Plus.
Enrollment is limited to Graduate, Non-Degree or Undergraduate level students.
Students in a Non-Degree Undergraduate degree may not enroll.