Art History: Renaissance and Baroque Europe
Angela Ho received her undergraduate degree from the University of Sydney, M.A. from Williams College, and Ph.D. from the University of Michigan. Before coming to George Mason, Ho taught at the University of Tennessee and the University of Michigan. Her research focuses on European pictorial art and art theory from the fifteenth to the seventeenth century, with particular emphasis on the intersections between cultural consumption and social negotiation, and the shifting notions of originality and value in an increasingly complex art market. She is the author of Creating Distinctions in Dutch Genre Painting, which examines the 17th-century art collection as a site of artistic competition and explores the ways in which both artists and viewers constructed distinctive identities in that environment. At GMU, Ho teaches courses on topics in European Renaissance and Baroque art.
Creating Distinctions in Dutch Genre Painting: Repetition and Invention (Amsterdam: Amsterdam University Press, 2017).
“Marketing Workshop Versions in the 17th-century Dutch Art Market.” In Maddalena Bellavitis ed., Not only copies: memory, authority and creativity of the replicating practice in the transmission of models (accepted for publication with Brill).
"The Just Price of a Painting: Quantifying Value in the Dutch Art Market.” (under review).
“Gerrit Dou’s Enchanting trompe-l’oeil: Virtuosity and Agency in Early Modern Collections.” JHNA 7 (2015).
“An Invitation to Compare: Frans van Mieris’ Cloth Shop in the Context of Early Modern Art Collecting.” Renaissance Studies 23 (2009): 694-717.
ARTH 201: Survey of Western Art II
ARTH 340: Early Renaissance in Italy
ARTH 341: Renaissance Art in Northern Europe
ARTH 342: High Renaissance in Italy
ARTH 344: Baroque Art in Italy, France, and Spain
ARTH 345: Northern Baroque
ARTH 440/599: Creating Value: Producing and Consuming Art in Early Modern Europe
ARTH 440/599: Home, Tavern, Bordello: Vermeer and Dutch Genre Painting
ARTH 440/599: Originals, Imitations and Fakes: Rethinking Authorship in Art
ARTH 440/599: Sexuality, Gender and Art in Early Modern Europe
ARTH 440/599: The Age of Rembrandt and Vermeer: Dutch Visual Culture in the 17th Century
ARTH 600: Methods and Research in Art History
ARTH 650/699: Art and Global Encounters in the Early Modern World
“China Made to Order: Global Trade and Cultural Identities.” Annual Meeting of the Renaissance Society of America, 2017.
“Global Trade, Local Innovations: The Development of Delftware.” Annual Meeting of the Renaissance Society of America, 2016.
"The 'Just Price' of a Painting? Quantifying Value in the Early Modern Netherlandish Art Market." Arizona Center for Medieval and Renaissance Studies Annual Conference, 2015.
“Borrowing Signatures: Appropriations and the Definition of Authorship in the Early Modern Dutch Art Market.” Annual Meeting of the Renaissance Society of America, 2012.
"The Pleasure of Novelty: Gerard ter Borch's Courtship Scenes as Product Innovation." College Art Association Conference, 2011.