Art History: Topography and urbanism of Ancient Rome and Pompeii; gender and sexuality in the Classical world; Roman imperial sculpture
Christopher Gregg received his BA and MA degrees in Latin from the University of Georgia; he earned his doctorate in Classical Archaeology from the University of North Carolina, Chapel Hill in 2000 with the dissertation “The Legacy of Ganymede: Homoerotic Images in Roman Art.” Gregg’s research interests include urban development of Roman cities, the interpretation of mythological images in Roman homes, and the portraiture of Antinous. He has taught four times at the Intercollegiate Center for Classical Studies in Rome, most recently as the Andrew W. Mellon Professor in Charge for the 2016-2017 academic year. He has also been a visiting lecturer at UNC-Chapel Hill and The George Washington University. He has been a frequent speaker for the Smithsonian’s Resident Associate Program. Gregg’s archaeological field work includes four seasons as Registrar for the Kalamazoo College/University of Colorado Excavations at the Villa of Maxentius (Rome), two seasons as Registrar for the NC State Roman Aqaba Project (Jordan), and seven seasons as Registrar on the University of Georgia’s Yasmina Excavations at Carthage (Tunisia). Gregg is currently finalizing a chapter on circus race-horse breeding and the Yasmina Necropolis for publication. Gregg has an article in Archaeological News, “Roman Politics and Celtic Tradition: the Imperial Cult Site at Lugdunum” (1997) and an article appendix, “Material Culture from the 2005 Villa of Maxentius Season” in The Memoirs of the American Academy (2006). In the summers of 2010 and 2012, he co-directed the Vergilian Society’s Cumae III summer study tour around the Bay of Naples. Since 2013, Gregg has been the Professor in Charge for the University of Georgia's Rome Program, which runs for six weeks May-July and is open to undergraduate and graduate students from any area of study.
The intersection of gender construction and mythological imagery in the wall paintings of Pompeii.
2018 Review: Reconstructing the Lansdowne Collection of Classical Sculpture, Volumes 1
and 2, by E. Angelicoussis (Munich 2017). In Collections: A Journal for Museum and
Archives Professionals 14.1 (in preparation).
2015 Chapter 5: “Facilities on the Gianicolo.” The Centro at Fifty: The History
of the Intercollegiate Center for Classical Studies, 1965-2015.
Edited by M. Boatwright, M. Maas, and C.Smith: 76-98.
2015 “Pompeii.” In Oxford Bibliographies Online: Classics. Ed. Alixandra Gould. New York:
Oxford University Press, Launch date: February/March 2011.
Updated August 2015.
Art History Seminars:
Art in the Age of Augustus: Visualizing the Pax Augusta
Pompeii: the Living City
Roman Imperial Sculpture: Portraiture and Monuments
Topography and Monuments of Imperial Rome
300 Level Art History Courses:
Ancient Roman Art and Archaeology
Art of Ancient Greece
Hellenistic Greek Art: from Alexander to the Caesars
Pompeii: Window on the Roman Past
100 Level Art History Courses:
Stories and Symbols: Greek Myth in Ancient Art
For the Honors Program:
Pompeii: Window on the Roman Past
Doctorate in Classical Archaeology from the University of North Carolina at Chapel Hill (2000)
Master's degree in Latin from the University of Georgia (1991)
Bachelor of Arts degree in Latin and Classical Civilization from the University of Georgia (1989)
“A Tale of Two Altars: the Ara Pacis Augustae (Rome) and the Imperial Cult Altar
(Lugdunum).” Invited speaker, Department of Classics, University of
Georgia: October 14th, 2017.
"Navigating Pompeii and the Development of Roman Cities,” for the Biblical
Archaeology Society of Northern Virginia: December 3rd, 2017.
“Masculinity, Mollitia and Myth in Roman Wall-paintings.” Mary Washington University,
Fredericksburg, VA: April 7th, 2016
Thucydides: I Do Not Think It Means What You Think It Means.” Panel on Historical
International Relations and International Security Studies, organized by
Jay M. Parker (National Defense University). International Studies Association
Annual Convention, Atlanta, GA: March 18th, 2016
“Identity, Continuity and Change in the Hellenistic City-scape.” Symposium for Power
and Pathos: Bronze Sculpture from the Hellenistic Word. National Gallery of
Art, Washington, DC: March 19th, 2016.
“Art History Faculty Contribute to an Unprecedented Exhibition,” by Vyta Pivoriunaite (http://chss.gmu.edu/articles/9121), Februay 4th, 2016.
“Roma Amor” (https://www.youtube.com/watch?v=dvvyR39rXhg&feature=youtu.be) a film by Alan Flurry on the UGA Classics in Rome program. November 8th, 2015.